Thinking About the People Side of Photography

Scott Bourne over at TWIP had a post this morning that made me think.  Scott was discussing the art side of photography, the human side.  While we all love obsessing over new gadgets, gear, and technology, I think we are all primarily motivated by the emotional response we get from photography.  Here is my reply to Scott's post.

I've always looked at photography as a chance to share how the world looks through my eyes.  For better or worse, I seem to have a non-standard perspective.  I see things that other people don't.  No, I don't see dead people, but I notice little details, light falling in an interesting way, and relationships between things that don't immediately seem related. When ever I point out one of these observations, people wonder how I came up with the connection.  Undiagnosed ADD could have something to do with it. However, regardless of my current mental health, my photography helps me show the world how I see.

That's why I love looking at photographs from others.  It gives me insight into what's important to them and from which perspective they observe their surroundings.  The more I get into photography the more I realize that it's about people and relationships.  Whether the relationship is between the photographer and a model, the photographer and a mountain, or the photographer and some cranes flying through the mist, I think photographs are manifestations of relationships.  
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Off Camera Lighting

The siren song of off camera lighting is calling me.  I already have a cheap flash and a Catus v2, but I would like to be able to play with at least two off camera flashes.  I just read over on Strobist that RadioPopper came out with some new technology.  The product that caught my eye is the  JrX receiver and transmitter.  I think this combined with some Vivtar 285 HV Flashes are what I need to get started. 

If I read this article correctly, I can get by with 2 Vivitars, a  JrXTransmitter, JrX Receiver, and Wein Peanut Micro Slave and I should be all set.  Maybe throw in a couple of light stands.  The whole shootin' match should run me around $300, which is about the same price as a single Canon 580 EX.
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Camera Selection Dilemma

I've been shooting with a Rebel XT since it first came on the market. Last year I was ready for a major upgrade to my system and decided to invest in good glass instead of a new body. I bought the Canon 24-105 f/4L and will never be able to buy anything other than L glass ever again.

Now I want to upgrade my camera body. The Canon 50D is very appealing, but the 5D Mk I is a serious contender also even though it is at the extreme edge of my budget. I'll have to spend a lot of political capital with my family CFO to make that purchase.

Reviews I've read on the 50D are all over the board. The review at DPReview says it's Highly Recommended, but barely because the image quality is not that much better than the 40D. However, the feature set on the 50D is awesome:
  • 15.1 MP
  • Digic4 processor
  • 3 inch screen
  • LiveView mode
  • Integrated sensor cleaning
  • Burst up to 16 RAW images @ 6.5 to 3 fps
  • High ISO sensitivity
Yes, I must consider the fact that Canon has jammed a ton of receptors into a small sensor, which will result in a lot more noise. I still get more room to use the crop tool and I can always down-sample my image.

The 5D Mk I is a classic that still gives incredible image results largely due to its full frame sensor. Despite the fact that it is old technology, the 5D Mk I is a solid camera capable of spectacular images.

I'm still figuring out my photographic niche and my subject matter is all over the board: portraits, sports, landscapes, and a lot of kid pictures. I need a body that is versatile.

Just to complicate matters, I also have a Sigma 10-20 f/4-5.6 EX DG HSM that won't work on the 5D. I could still use it on the Rebel XT, but it would be stuck there. I also have the Canon 50 f/1.8 II, but that works on either EF or EF-S mounts.

Which camera would you recommend?
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I'm Published

Washington DC Photos-3I've had a picture published on Schmap!!, a travel guide web site.  You can see my photo here: Washington Monument

I really like this photo because I think that it is a unique perspective on an commonly photographed monument.  It makes all the stares I got from squatting in an awkwardly crouched position for five minutes worth the embarrassment.
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Photographing for "Free"

There are articles over at TWIP and Strobist talking about photographing subjects for free, i.e. not charging for  money for your services. I think that they are both great articles, but I'm not sure it's completely accurate to say that you provide your services for free in the context of these articles.  I think that "doing it for free" implies that you receive nothing for your efforts.  I don't think that is the case. 

When you photograph for "free" I think you are actually trading value with your client but you are using something other than money to represent that value. In the "free" transaction the client obviously receives a piece of photographic work they can use in a limited context. As photographers, we can all see the value of that image. What the photographer receives in return is less tangible, but no less valuable.  The value is listed pretty well by David Hobby and Scott Bourne in their respective posts so I won't rehash it here.

I think that it is more accurate to describe photographing for "free" as a barter of services rather than simply a one-sided transaction. With the economy going the way it is, it might not be a bad idea to start brushing up on those bartering skills now.
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Come See My Photos at the CNote Art Show

I've had five photos accepted to the CNote Art Show. The CNote Art Show is a showcase of independent artists in the Columbus, OH area. All works at the show are for sale at a price of just $100, hence the CNote Art show. All proceeds go directly to the artists. There are currently over 300 artists showing their work and over 1000 pieces of work on display and for sale. The work runs the gamut of style and media.


The show takes place on December 12 and 13, 2008 at Junctionview Studios. You can get directions here: Map Private showings are available by appointment. Please contact Junctionview Studios at 614.634.1415 or email them here or here to set up an appointment.






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